Panasonic has launched the Lumix DMC-GF7, a compact and light Lumix G interchangeable lens camera that will give you stunning image quality to allow you to truly express your unique style. In addition, Panasonic GF7 gives you the most flexible shooting experience, which allows you to record 1920 x 1080 Full HD video in AVCHD Progressive (50p) or MP4 (MPEG-4/H.264) format.
As mentioned above, Panasonic Lumix GF7 can capture videos in MTS, MP4 format. While, if you want to edit the footage Panasonic Lumix GF7 records, you may find the high quality AVCHD MTS or H.264 MP4 files are not recognized by most editing software such as Adobe Premiere Pro CC and etc. Since working Panasonic GF7 AVCHD MTS files in Adobe Premiere Pro CC is necessary to get a good visual effect, so how to convert Panasonic GF7 AVCHD MTS to an editable file type? Are there any good suggestions?
Fortunately, Pavtube MTS/M2TS Converter for Mac can help you to convert and import Panasonic Lumix GF7 clips to Premiere Pro CC for editing and using. Meanwhile, if you are Windows users, Pavtube MTS/M2TS Converter is also available for you. You can choose the corresponding one according to your requirement. It is the solid tool to help users get Panasonic Lumix GF7 MTS, MP4 files converted into a format supported by Premiere Pro CC no matter on Mac OS X/Yosemite or Windows 8.1/8/7. No need to worry about the quality loss is of great importance.
Below, we will outline the way for importing Panasonic GF7 AVCHD MTS to Adobe Premiere Pro CC. Take Mac version as an example:
Step 1: Download, install and launch the smart Mac MTS/M2TS Converter. Click “Add video” or “Add from folder” to load AVCHD MTS files from Panasonic GF7. You can also directly drag the files to the program.
Tips: If you want, you can combine several video clips together by ticking “Merge into one file” box.
Step 2: To solve Panasonic GF7 and Adobe Premiere Pro CC incompatibility issues, click “Format” bar to choose “Adobe Premiere/Sony Vegas>> WMV (VC-1) (*.wmv)” as target output format.
Tips: You can click “Settings” button in the main interface to customize the output video’s parameters, such as resolution, frame rate and so on.
Step 3: By clicking “Edit” button, you can trim, crop the video, add watermark and subtitle, and adjust effect to the videos which you will convert.
Step 4: Hit the “Convert” icon under the preview window. After the conversion, click the “Open” button to locate converted files, and then load WMV (VC-1) .wmv files in Adobe Premiere Pro CC. Now you can successfully and easily import Panasonic GF7 AVCHD MTS footage to Premiere Pro CC for editing and using with best quality.
Conclusion: If you are a good reader, you will know well about the conversion work mentioned above. Do you know how to convert Panasonic Lumix DMC-GF7 AVCHD files to Avid Media Composer 6.5/6 for editing? How about editing Panasonic GF7 AVCHD footage in iMovie?
Further Reading:
As mentioned above, Panasonic Lumix GF7 can capture videos in MTS, MP4 format. While, if you want to edit the footage Panasonic Lumix GF7 records, you may find the high quality AVCHD MTS or H.264 MP4 files are not recognized by most editing software such as Adobe Premiere Pro CC and etc. Since working Panasonic GF7 AVCHD MTS files in Adobe Premiere Pro CC is necessary to get a good visual effect, so how to convert Panasonic GF7 AVCHD MTS to an editable file type? Are there any good suggestions?
Fortunately, Pavtube MTS/M2TS Converter for Mac can help you to convert and import Panasonic Lumix GF7 clips to Premiere Pro CC for editing and using. Meanwhile, if you are Windows users, Pavtube MTS/M2TS Converter is also available for you. You can choose the corresponding one according to your requirement. It is the solid tool to help users get Panasonic Lumix GF7 MTS, MP4 files converted into a format supported by Premiere Pro CC no matter on Mac OS X/Yosemite or Windows 8.1/8/7. No need to worry about the quality loss is of great importance.
Below, we will outline the way for importing Panasonic GF7 AVCHD MTS to Adobe Premiere Pro CC. Take Mac version as an example:
Step 1: Download, install and launch the smart Mac MTS/M2TS Converter. Click “Add video” or “Add from folder” to load AVCHD MTS files from Panasonic GF7. You can also directly drag the files to the program.
Tips: If you want, you can combine several video clips together by ticking “Merge into one file” box.
Step 2: To solve Panasonic GF7 and Adobe Premiere Pro CC incompatibility issues, click “Format” bar to choose “Adobe Premiere/Sony Vegas>> WMV (VC-1) (*.wmv)” as target output format.
Tips: You can click “Settings” button in the main interface to customize the output video’s parameters, such as resolution, frame rate and so on.
Step 3: By clicking “Edit” button, you can trim, crop the video, add watermark and subtitle, and adjust effect to the videos which you will convert.
Step 4: Hit the “Convert” icon under the preview window. After the conversion, click the “Open” button to locate converted files, and then load WMV (VC-1) .wmv files in Adobe Premiere Pro CC. Now you can successfully and easily import Panasonic GF7 AVCHD MTS footage to Premiere Pro CC for editing and using with best quality.
Conclusion: If you are a good reader, you will know well about the conversion work mentioned above. Do you know how to convert Panasonic Lumix DMC-GF7 AVCHD files to Avid Media Composer 6.5/6 for editing? How about editing Panasonic GF7 AVCHD footage in iMovie?
Further Reading:
- HEVC Converter-Powerful H.265/HEVC Encoder for Windows users: Have ever thought of converting your HD or AVCHD videos to H.265/HEVC to save more free space while get a higher quality reach up to 4K?
- How to stream MKV/AVI files to your Xbox One: Xbox one has become the common entertainment equipment among many family. Games and movies can all be enjoyed on your TV through this tool.
- Playing Captured AVI Files from Bushnell Trail Camera on QuickTime Player: The easiest way to play captured AVI files from Bushnell Trail Camera on QuickTime Player is to convert AVI footages to QuickTime Player supported MOV format.
