Hey guys, want to get easy XAVC S video solution for using in Mac/Windows? The article offers you a darn easy Sony A7II XAVC S footage workflow for converting your A7II XAVC S video to MOV, AVI, DNxHD, AIC, MPEG-2, WMV and then edit, play or upload the converted XAVC S videos on Mac or Windows. Tips: Are you still confused with the XAVC recordings for some HD cameras such as Canon. Panasonic or Sony? Here is a XAVC file solution Q: Which kind of Sony series camera do you like as the best? A: Though more and more HD cameras have been released by Sony, I just make Sony A7II as my favorite. With the stable shooting ability and the high definition output footage XAVC S, it is popular among our photograghers. As a teacher who teaches video production in the studying courses, I'm trying to use my Sony A7II camera to shoot some recordings of my students and pick them out to show in the Students' Film Festival', I need to edit the output videos on my Mac, I installed FCP X there. However, it seemed that XAVC files are not so compatible this program, right? 
While enjoying the stunning videos recorded of HD image quality, many users are having problems when trying to edit Alpha a7II footage in some popular editing tools like FCP, iMovie, Premiere, etc. What we need here is a Pavtube XAVC S Video Converter for Mac / Windows! Easy operations to do with Sony a7II XAVC S files and make them accepted by common editing programs and media players with a high quality preserved. More, the Pavtube Mac XAVC S Video Converter software is also able to convert AVCHD, H.264/AVC, MPEG-2, MP4, MOV, XACAM, XDCAM EX, MXF, P2 MXF, M2TS, TS, Tivo, AVI, FLV, F4V, M4V, WebM, etc. footage to other intermediate formats for using freely.
How to convert Sony A7II XAVC S files to MOV/AVI/MPEG-2/WMV/DNxHD/AIC for editing, playing, uploading on Mac/Windows? Step 1. Free Download the Mac or Windows Sony XAVC S Video Converter on your computer. Install and run it. It's excellent Sony XAVC S converter which can convert Sony Alpha a7II XAVC S to any formats you need, such as Apple Prores 422 MOV, Apple InterMediate Codec MOV, QuickTime MOV, MPEG, AVI, WMV, DNxHD, MOV, etc. Load your files in with "Add video" or "Add from folder". 
Step 2. Click "Format" bar to choose output format for using For each editing apps or other multimedia devices, you should choose the different format on the output lsit. For example, we can choose the "Final Cut Pro" -> "Apple ProRes Codec 422 (*.mov)" as the suitable one. As the screen shot showed: 
Tips: For other formats like AVI, MPEG-2 or WMV, MOV, etc., you can also find them out on the output list if you need. More advanced functions? Why not get into the 'Settings' button to know more? We can here adjust our output videos as video codec, video size, bitrates, frame rate or even the audio channels. 
Step 3. Click "Convert" button to start the conversion from Sony Alpha a7II XAVC S footage to FCP Apple ProRes MOV on Mac OS. After the Sony a7II XAVC S video converter workflow, you can go to the output folder to find the converted XAVC S video files under Mac/Windows without problems. (Mac OS X Yosemite, Mavericks and Windows 8.1/8 included) Tips: 1. Before you try to do the XAVC S video conversion, if you are also a FCP X user, please make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves. 2. Other questions about other Sony series cameras? On the Sony Topic page here, we think we should learn more. You may like more:
Good News! Pavtube Bundles Dealsare coming! If you want to import/preserve/mix multi-track MXF in MKV/MP4/MOV formats, get multi-track Apple Prores MOV for further editing in Final Cut Pro (X), the following bundled software is your best choice: Video Converter for Mac($35) + iMixMXF($45) = $54.9, Save $25.1 (buy link) Video Converter($35) + MXF MultiMixer($45) = $54.9, Save $25.1 (buy link) MXF MultiMixer/iMixMXF Key Features: -Import/preserve/mix multi-track MXF in MKV/MP4/MOV formats. -Output multi-track Apple Prores MOV for further editing in Final Cut Pro (X). -Support DVCPRO/HDV/Avid DNxHD/AIC output -Convert MXF to any other formats for editing, playing, or broadcasting. -Merge/split/trim/crop MXF footages. Video Converter for Windows/Mac Key Features: -Convert from and to any common SD/HD video and audio format. -Support Apple ProRes/DVCPRO/HDV/Avid DNxHD/AIC encoding. -Output formats for Windows/Mac editing software, e.g. FCP, iMovie, FCE, Avid, Adobe Premiere, Sony Vegas Pro, etc. -Output formats for different playback devices, hdtv, hd media players, etc. 
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Summary: MXF files not reading in Premiere Pro CS6! If you get the importing error message while importing Sony PMW-200 XDCAM MXF media files to Adobe Premiere Pro CS6, the MXF to Premiere Pro CS6 Converter will be the best solution for you. Sony have been listening and as a result of customer feedback they developed the new PMW-200 handheld camcorder. Designed to meet the needs of broadcast productions the camera records on to solid state media using 50 Mbit/s 4:2:2 XDCAM HD. This is the exact same codec as used in the highly regarded PDW-700, F800 and PMW-500 shoulder mount broadcast camcorders. 
I had a friend do me a favor, let me borrow his Sony PMW-200- a great looking camera - for a shoot. While my workflow with Sony Vegas works perfectly with these files, but my Premiere don't always have the codec for .mxf files. Well I would like to say Adobe Premier Pro imports and edits XDCAM formats in the native recording codec. So to edit Sony PMW-200 XDCAM media in Adobe Premiere smoothly, the easy workaround is to transcode Sony XDCAM MXF to MPEG-2 or MOV or WMV format which is friendly with Premiere. Here listed a step-to-step guide. First of all, free download Pavtube MXF to Premiere Pro CS6 Converter for Mac. This Mac Sony XDCAM MXF converter can easily convert Sony PMW-200 XDCAM MXF files without quality loss. It can generates best editing format/codec for filmmakers and video enthusiasts to use in different NLE apps, such as Adobe Premiere Pro CC/CS, After Effects CS/CC, iMovie, FCE, FCP, Avid Media Composer, and more. If you are on Window PC, please get the MXF Converter. Just download it and follow the workflow using Adobe Premiere Pro with Sony PMW-200 XDCAM on Windows or Mac.
How to convert Sony PMW-200 XDCAM MXF to Adobe Premiere Pro editable format? Step 1. Connect your Sony PMW-200 XDCAM HD422 camcorder to Mac and keep it on, or use a card reader to transfer your footage to Mac. Get this Sony MXF to Adobe Converter installed, click top left two icons to load individual videos or the entire folder correspondingly. 
Step 2. Choose best format for editing in Adobe Premiere Pro CS5. Click the drop-down list besides "Format", choose "Adobe Premiere > MOV(AVC)(*.mov)" as the most compatible format as well as best video quality for CS5. You can also choose "MPEG-2 (*.mpg)", "WMV (VC-1) (*.wmv)" or Apple ProRes 422 (*.mov). 
Step 3. Adjust output video settings including video size, codec, bitrate, frame rate by clicking "Settings", all according to your needs. 
Step 4. Click the big red circle to start the Sony PMW-200 XDCAM MXF conversion for Premiere Pro. Wait for a while, you can get the fresh hot converted XDCAM MXF video which is compatible with Adobe Premiere Pro on Mac Yosemite/Mavericks. Tips: Click here to learn: How to import Media Files to Premiere Pro on Mac. Read more:
Good News! Pavtube Bundles Dealsare coming! If you want to import/preserve/mix multi-track MXF in MKV/MP4/MOV formats, get multi-track Apple Prores MOV for further editing in Final Cut Pro (X), the following bundled software is your best choice: Video Converter($35) + MXF MultiMixer($45) = $54.9, Save $25.1 (buy link) Video Converter for Mac($35) + iMixMXF($45) = $54.9, Save $25.1 (buy link) Source: http://camcordervideoshare.altervista.org/blog/use-sony-pmw-200-xdcam-with-premiere/
This H.264 codec to FCP X workflow is the highest quality and best practice to transcode/prepare H.264 footage to Apple ProRes (HQ) and import ProRes into FCP X for diting on Mac OS X (Yosemite and Mavericks included).
Question 1: H.264 vs Apple ProRes 422 Question - Urgent for Film Hello,I've completed editing a film in FCP X with Apple ProRes 422 clips at 1920×1080. I sent a cut clip from the timeline to a SFX person via dropbox. He sent the polished clip (with the new SFX) back in H.264; he's not working on a Mac because he doesn't own one. I imported the new H.264 clip into my timeline and everything looks great. Question: Does this matter? Does it matter that a clip in the timeline is H.264, while all the others are in Apple ProRes 422 clips (the ones that didn't need effects)? My guess is that it's not because H.264 is a finishing format but I want to be sure. Thank you in advance for helping out. Much appreciated. One of the most common questions that I get from people regarding the new breed of DLSR cameras is "What's your post-workflow?" Source: http://www.dvxuser.com/V6/showthread.php?269920-H-264-vs-Apple-ProRes-422-Question-Urgent-for-Film Question 2: H.264 vs ProRes 422 Hey, i was reading this post the other day where you guys were talking about apple's ProRes 422. i want to know if there is a high difference working with them, i have done a few projects with Final Cut Pro using the raw H.264 footage from my 60D without knowing about the pro res. Then i red the post and i wanted to test it out so i converted a few clips with compressor too see the difference while editing or rendering and i couldnt find much. What do you think? Source: http://forum.planet5d.com/index.php/topic/1027-h264-vs-ProRes-422/ Question 3: Apple ProRes vs H.264 What's the difference between the Apple ProRes codec, the Apple ProRess HQ codec and the H.264 codec. I know the filesize of the ProRess is much more then the H.264, but what's the real difference?? Source: http://forums.macrumors.com/showthread.php?t=473438 Question 4: Apple ProRes 422 vs. H.264 Editing w/ FCP X I am editing a project on Final Cut Pro X and was curious what format my video files should be for editing. I know ProRes 422 is a codec that pros use to edit and it has a much bigger file size, but I don't get the difference and which format I should be using to edit my project. Can someone please explain to me which format I should be editing on for my project! Thanks! Source: https://discussions.apple.com/thread/3818621?start=0&tstart=0 *********************************************************** Solution: No matter you are a filmmaker, multimedia professional or still photographer, Canon or Nikon camera will be a choice due to its highly mobile, lightweight features including Canon 5D Mark, Canon EOS 650D, Canon PowrShot G1 X, Canon SX40, Canon ESO-1DX, Canon EOS 7D/5D, Canon EOS 60D, Canon EOS 550D, Canon EOS 500D, Nikon D5100, Nikon D3100 Nikon D800, and more. What these cameras have in common is that they can record 1080p H.264 codec MOV footages. H.264 (an MPEG-4 variation) is an aquistion (camera) and distribution (web streaming) codec. It's highly compressed, which means that the files are small, and Final Cut has to do extra work each time you play your timeline, make an edit, etc. Apple ProRes 422 is an editing codec. It uses much less compression, which means that the files are big, but Final Cut can play it more easily. Best practice is to edit in ProRes 422, especially if you have lots of layers and effects. That means you spend a little extra time optimizing your files to ProRes 422 before you start, but you save time in the long run.As you got into more complicated editing such as adding multiple clips and transitions and effects you would start to see a more pronounced difference, i.e. FCP would need to render more often and editing wouldn't be a smooth. H.264 is really optimized to be a delivery codec while ProRes is optimized to be an editing codec. That said, if you just need to do a simple edit and your Mac has the power to edit H.264 you can get away with it no problem, but if you plan to do a heavy edit with lots of transitions and effects and color grading you will be best served by ProRes. Just an alternative solution: Pavtube H.264 to ProRes Codec Converter which is able to convert H.264 videos to Apple ProRes 422 HQ (*.mov), Apple ProRes 422 (*.mov), Apple ProRes 422 (LT) (*.mov), Apple ProRes 422 (Proxy) (*.mov) and ProRes 4444 (*.mov). (2015 Top 5 Best Mac HD Video Converter Review for Camcorder Lovers) a. ProRes 422 (HQ): offers the utmost possible quality for 4:2:2 or 4:2:0 sources and provides target data rate of approximately 220 Mbps and higher quality than Apple ProRes 422; b. ProRes 422: provides target data rate of approximately 145 Mbps and higher quality than Apple ProRes 422 (LT); c. ProRes 422 (LT): provides roughly 70 percent of the data rate of Apple ProRes 422 (thus, smaller file sizes than Apple ProRes 422) and higher quality than ProRes 422 (Proxy); d. ProRes 422 (Proxy): provides roughly 30 percent of the data rate of Apple ProRes 422 and high-quality offline editing at the original frame size, frame rate, and aspect ratio; e. ProRes 4444: offers the utmost possible quality for 4:4:4 sources and roughly 50 percent higher than the data rate of Apple ProRes 422 (HQ).
How to Convert H.264 footage to Apple ProRes for FCP X on Mac OS X? Once your CF(CompactFlash) card or SD memory card is placed into a reader connected to your Mac, follow the instructure below to convert H.264 to ProRes by using Pavtube H.264 HD Video Converter for Mac. Step 1. Free download the trial version of Pavtube Mac H.264 to ProRes Converter, install it on your Mac and import the H.264 files from HD camcorders to the Mac H.264 to ProRes Converter, or drag recorded H.264 videos to the software. 
Tip: If you have multiple recorded H.264 files, you can select the "Merge into one file" box to merge your files into one single file. (Best MTS/M2TS Files Joiner on Mac Yosemite) Step 2. Hit the "Format" box and select one of the Apple ProRes codecs on the dropdown list. You are advised to choose "Apple ProRes 422 (*.mov)" or "Apple ProRes 422 HQ (*.mov)" format. Due to the difference in the compresstion standard of AVCHD and ProRes 422, the converted files are significantly larger than the original ones. If you prefer smaller file size, please choose "Apple ProRes 422 (LT) (*.mov)" instead. 
Step 3. Start converting H.264 videos to ProRes 422 (HQ) by clicking on the "Convert" icon. Based on its multi-threading and transcoding technology, the whole conversion will be done within a short time. Batch converting is also supported by the Mac H.264 to ProRes Converter tool. Tip: If you wanna shut down the computer after the conversion automatically, just click Option and tick the box "Shut down the computer after conversion" before conversion starts. After the recorded H.264 video to ProRes conversion is 100% completed, please run the FCP and click "File > Import > Files" for editing H.264 video in FCP without any rendersing and quality loss. Besides the ability to transfer the converted H.264 files to FCP X, the versatile Pavtube H.264 HD Video Converter for Mac users can help you copy/edit H.264 files into iMovie, FCE, Adobe Premiere Pro CC, Premiere Pro CS, Premiere Elements, After Effects CC/CS, Avid Media Composer, DaVinci Resolve (Lite), iPhoto, Kdenlive, Keynote, Aperture 3, etc. Maybe these articles can also help to you:
Good News: Never miss to get Saving up to $44.1, MXF/MTS/M2TS/MKV/FLV/MOV Converter.etc at Pavtube Bundles Deals, such as: HD Video Converter for Mac($35) + DVD Creator for Mac($35) = $39.9, Save $30.1 HD Video Converter for Mac Key Features: -Convert 1080p/720p MKV, MOV, MXF, MTS, M2TS, M2T, TS, M4V, MP4, AVI, MPG, VOB, WMV, 3GP, FLV videos for playing, editing, uploading or burning. -Support ProRes/DNxHD/DVCPRO/AIC and other codecs for NLEs on Mac. -Convert HD footages from Sony, Canon, Nikon, Panasonic, JVC, etc. -Convert any video and audio for multiple playback devices. DVD Creator for Mac: -Create playable DVD disc, DVD folder and DVD ISO from different file types. -Make DVDs from TiVo, MTS, MOV, WMV, AVI, MPEG, MP4, MKV and more. -Burn ISO image file and DVD folder/VIDEO_TS to a DVD disc directly. -Create DVD movies with NTSC or PAL video standard. Source: http://mts-to-aic-converter.com/h264-vs-apple-prores-codec/
This guides relies on the topic of making Sony PXW-X500 smoothly edited in FCP 6/7 especially for those people who work FCP 6/7 for much. "Several days ago, I took part in the big outside party which hold to celebrate the 2014 Halloween in the next block, as the professional video editor, I was invited to record the happy moments. During the all night, I worked well with my new camcorder, Sony PXW-X500. However, you know it is so necessary to edit them for a dispose in FCP 7. It seems there are some trouble in this importing progress. 'Unsupported' warning I've got on my screen. So any solutions there?" 
It seems XAVC - the latest high definition video format introduced by Sony is not supported by FCP so far. Surely, you may know that some third-party tools can also do this job but what you don't know is sometimes, we will meet the trouble of unstable working capacity, conflict versions, etc. so I recommend the Pavtube XAVC to FCP 6/7 Converter for Mac for all you guys. With the stable version and excellent capacity, I'm you can enjoy it as your best assistant. Note: You can also try three top Mac XAVC Video Converters that each one can handle the XAVC/XAVC S videos well for editing or playback on Mac: Top 3 Best XAVC/XAVC S Video Converter for Mac Review Follow my steps and just with one screenshot, I can provide you the all details on how to make Sony PXW-X500 XAVC videos friendly with FCP 6/7. For a first step, load your files in with 'Add video' and 'Add from folder'. If you connect your camera with the computer by USB cable, you can drag them directly in this program. Next we are going to the most important point, which should we choose as the best output? There are several types of Apple ProRes Codec especially for FCP, just choose one you think the best in the 'Final Cut Pro' on the output list. For example, 'Apple ProRes Codec 422 (*.mov)' may be your choice. When you choose the output, in 'Editor' and 'Settings' buttons, you will get more. 
Tips: No matter for the latest Windows 10 or Mac Yosemite, you can go well with this job. For some people who are the first time to use FCP7 or FCP 6, here are some transfer steps for you.
Good News: Never miss to get Saving up to $44.1, MXF/MTS/M2TS/MKV/FLV/MOV Converter.etc at Pavtube Bundles Deals, such as: HD Video Converter for Mac($35) + DVD Creator for Mac($35) = $39.9, Save $30.1 HD Video Converter for Mac Key Features: -Convert 1080p/720p MKV, MOV, MXF, MTS, M2TS, M2T, TS, M4V, MP4, AVI, MPG, VOB, WMV, 3GP, FLV videos for playing, editing, uploading or burning. -Support ProRes/DNxHD/DVCPRO/AIC and other codecs for NLEs on Mac. -Convert HD footages from Sony, Canon, Nikon, Panasonic, JVC, etc. -Convert any video and audio for multiple playback devices. DVD Creator for Mac: -Create playable DVD disc, DVD folder and DVD ISO from different file types. -Make DVDs from TiVo, MTS, MOV, WMV, AVI, MPEG, MP4, MKV and more. -Burn ISO image file and DVD folder/VIDEO_TS to a DVD disc directly. -Create DVD movies with NTSC or PAL video standard. Source: http://camcordervideoshare.altervista.org/blog/edit-pxw-x500-xavc-infcp-6-7/
Trapped in the trouble of H.265 footage shot by Samsung NX1 camcorder? How much do you know about the latest codec H.265? Do you think it is only the upgraded version of the former H.264? Whatever, this new H.265 footage seems not so friendly with Adobe Premiere Pro and Sony Vegas Pro, so we need to find some solutions to get rid of the trouble. In this article you can receive some efficient solutions here. 
Professional explanation of H.265/HEVC codec: H.265/High Efficiency Video Coding (HEVC) is a video compression standard, a successor to H.264/MPEG-4 AVC (Advanced Video Coding), that was jointly developed by the ISO/IEC Moving Picture Experts Group (MPEG) and ITU-T Video Coding Experts Group (VCEG). HEVC is said to double the data compression ratio compared to H.264/MPEG-4 AVC at the same level of video quality. (Let's Have an Intensive Talking on H.265/HEVC) What's the Prospect and benefit of H.265 codec? H.265 is the codec of the future, we have advanced to that time, and rolling a way back machine back to now, by giving to users an affordable and easy HEVC video converter. See the results yourself With the H.265 encoder incorporated on Cinec we achieved the following result, by converting a ProRes file of 550MB to a H.265 5MB file with almost no noticeable difference at normal screens, look yourself. See Also: Professionals Favorite H.265/HEVC Video Encoder/Decoder – Smaller Size and Higher Quality Key features of Samsung NX1 camcorder:
- 4K (DCI 4K & UHD) video recording using H.265 codec
- Can output 4:2:0 8-bit 4K video over HDMI
- Stripe pattern AF illuminator with 15m range
- Weather-resistant magnesium alloy body
- USB 3.0 interface
- Optional battery grip
What a pity that the output footage H.264 cannot be accept well by Adobe Premiere/Sony Vegas! In order to get a nice watching of these videos, we need to do some changes. Luckily, we have the PavtubeNX1 H.265 Video Converter, with the upgraded version 4.8.2.0, it can work the H.265/HEVC codec well. As we all know the best codec for Adobe Premiere and Sony Vegas is MPEG-2, so we just transcode our NX1 H.265 footage to MPEG, right? Let's do it! See also: Adobe Premiere Pro Supported Formats Guide on how to transcode H.265 from Samsung NX1 to MPEG for editing in Adobe Premiere Pro and Sony Vegas Pro. Step 1. Load your H.265 files into this best H.265 Video converter. Install Pavtube H.265 Video converter on your PC, then load your H.265 files from NX1 by clicking 'Add video' and 'Add from folder', or just drag-and-drop your NX1 H.265 files in this interface. 
Step 2. Choose "MPEG-2 (*.mpg)" as your output format Come to the output list, just select the suitable formats for Adobe and Sony Vegas. Tap the 'MPEG' in the searching box is okay. Or drop down the list, nearly on the bottom of the list, we can find the 'Adobe Premiere Pro/Sony Vegas' >>'MPEG-2 mpg' there. Just as follows: 
Tips: Encode your original videos to H.265 codec for enjoying with nice effects? On the output list, select the 'HD Video'>>'H.265 HD Video(*.mp4) there. I have to mention you that though H.265 coded has the higher definition, it will take you much more time to work with. (Convert H.264, MP4, MOV, AVI, MKV, FLV to H.265 video) 
According to the workflow, usually for those advanced users, it is not a bad idea to adjust the output videos in the 'Settings' button. Such as the 'video codec', video size, bitrates or even the audio channels. Surely you can leave the default as usual. 
At the end of this paper, if you have finished the preparation, back to the main interface, just hit the 'Convert' to get this NX1 H.265 to MPEG-2 conversion started. Or any other suggestions or better methods you can leave the message below, okay? Additionally, we also found a third-party plug-in released by Cinemartin, it is initially for Adobe Premiere Pro which allows users to export sequence timeline to all versions of prores or HEVC/H.265. Just look the short videos below as referene Youtube guides video url: https://www.youtube.com/watch?v=JaZDpXwoT_o More related:
Never miss to get Saving up to $44.1, MXF/MTS/M2TS/MKV/FLV/MOV Converter.etc at Pavtube Bundles Deals! Source: http://1080p-video-tool.blogspot.com/2014/12/edit-nx1-h.265-footage-in-premiere.html
